Fabric 34 - Ellen Allien by Fabric. Preview: 30 sec only Quality: 209 kbps Size: 6.76 Mb Length: 4:32. Download Track [ben klock] journey The song text is absent Explore album. Fabric 34 - Ellen Allien. Download Album. 01 [schubert] s1 (don't believe the chord-pop hype). VA-Fabric 34-Ellen Allien-(FABRIC67)-CD-FLAC-2007-SPL. Fabric 34 -- Ellen Allien Label: Fabric Records Cat: FABRIC67 Source: CDDA Year: 2007 Genre. Come and download allien absolutely for free.
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1 – Written-By, Producer –, 2 – Presents. Written-By – Written-By, Producer, Mixed By – 3 – 4 – Remix, Producer Additional, Written-By Additional – Written-By, Producer – 5 – Written-By, Producer – 6 –. Written-By, Producer – 7 –. Written-By, Producer –. 8 – Written-By, Producer –, 9 – Written-By, Producer – 10 – Written-By, Producer, Performer – 11 – Written-By – 12 – Written-By, Producer –. 13 – Written-By, Producer – 14 – Remix De(con)struction – Written-By, Producer – 15 – Written-By, Producer –.
(P) 2007 Fabric Records. (C) Fabric Records.
The copyright in this sound recording and artwork is owned by Fabric Records. Made in Europe Fabric thanks: Dave Turner at DDM/360 Mastering. Ellen thanks: this is an analog vinyl mix made after a party at my flat in Berlin. Thanks to all music lovers, clubs, dancers! Thanks for sharing moments of happiness with me!
Music is my key to reach out and share the love with you all. Freak with me! (Ellen Allien. 2007) Release Date: Fabric First members: 01/05/07 UK/R.O.W.
Retail: 14/05/07 USA: 22/06/07. Track 3 is titled wrong on the tracklist and press information.
It's the original version of 'Driven' in the mix, not the Jamie Jones' Pacific Mix. Track 8 listed as India In Me. Track 11 listed as Harrowdown Hill. Release comes in a metal case, housed in a cardboard sleeve. This type of subtle, vocal and slick minimal is not usually my thing, but this is on another level. Hypnotic might be the appropriate term. Ellen Allien drops one of the most hypnotic mixes I have ever listened to, and that is all there is to it.
Right off from Schubert's Don't Believe The Chord - Pop Hype, an incredibly minimal yet spaced out and far reaching piece, my head is already moving towards Saturn. What an opening, but from there she drops a surprisingly old school sounding acid house number, which brings back sweet memories of adored tracks by Charlie B. Adonis and the likes.
Then my favorite on the entire mix, the gorgeous Driven by Estroe, a stellar combination of Detroit soul, modern minimal groove, all painted over with sweeps of acid! What a track, with a touching pad rising from the background as well. And the mix goes on in the same tone throughout, with vocal snippets, coushin like bass lines and gentle percussion. The music never reaches a climax of any sort, but it sucks you in like the vacuum cleaner you use could never do. Outstanding work, and by the time I reach Plastikman's remix of Baby Kate, I am all dissolved matter eagerly wanting more. My expectations were not too high before playing this, but oh my, this was one of the best shots in the dark I ever took.
I love this mix. I had heard Ellen several times mixing on parties/festivals but this mix jumps out. The way she builds up is cool, from some hypnotic vocal house (sun can't compare) over some 'kind of progressive' tunes (jamie jones rmx of estroe's driven, damien schwartz) to some mnml/tech, hypnotic dance stuff all over. Her remix of 'Harrowdown Hill' is mindblowing, fat breakbeat with Thom Yorke's voice and builds up again towards Heartthrob-Baby Kate to finish in beauty with the chilled beats of her brother-in-crime.
Is 's second mix CD, and while her first set, Flieg Mit Ellen Allien, denied her techno roots with breezy pseudo-disco and light electro, this mix moves in the opposite direction, trawling the bottom for digital cut-ups and fuzzy beatbox aggression. It all starts innocently enough, with the chiming techno-croon of. The music even builds for a moment with the disco strings of Kiki's 'Luv Sikk' and the smart and sexy vocals of Sylvia Mark's 'I Am Electric.' But things begin to go afoul with the hip-hop mash of DJ Maxximus, and tempos take a sudden plunge with 's low-velocity booty call to DJs Godfather and Assault on 'Freaky Bitch.' Things hit rock bottom with the disjointed start-stop of before the flow picks up on 's own 'Erdbeermund.' From there the mix shifts back and forth between ragged experimental noise and blurping minimal beats with, and Apparat before finally coming full circle with more chiming techno-croon.
If there is to be one complaint about this mix, it is perhaps that shifts styles too much, as if diversity took precedence over continuity. As a result, some of the transitions feel forced. But considering the overriding complaint that most mix CDs are over-homogenized from beginning to end, it is exciting to hear a mix that is nothing like what you expected but everything you wanted to hear.